I keep trying to throw out my Vinyl records but each time I go to do so, I bottle it.
It's ridiculous really, I never play them, as I don't have anything to play them on and even if I did, I'd doubt I'd play them. They're all scratched to some degree.
They all date from the 60's, 70's and a few 80's. I can't imagine they're worth anything?
Anyone else facing the same dilemma and found a solution, because they're taking up space!
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Also be careful what you throw if you do, I actually sold some, mostly duplicate Stone Roses one's I had about 5-6 years ago before they reformed, made over £2k!
https://www.johnlewis.com/crosley-collegiate-usb-turntable/p1797265?colour=Cream
I tried using a device for my cassettes but the quality was pretty awful.
Maybe wish I'd kept one or two but just taking up space.
Need to get rid of loads of books too.
If you are thinking of selling, now is a good time, as the comeback may be short-lived. But there is as much chance that it won't be, in which case the only way is up (anyone got that on vinyl?).
I discovered, through years of collecting, that yer Beatles, Stones, Elvis, are not as valuable as people thing, as they sold in their millions. The records that do fetch money are any by the top artists that, for whatever reason, were not sold in their millions or are in some way different - miss-print on sleeve, first pressing, that sort of thing. Then you have records which:
- feature certain artists when they were unknown,
or
- are rare records within a particular market - e.g. rare punk records or rare Motown
Since the advent of digital media, to be valuable, records have to be immaculate - younger collectors will not put up with less than 100%
Right, got to go - need to put on another one of my anoraks and put this one in the wash.
Also from around that era I have a scratched copy of Fairground Attraction's Perfect that gets partway through the song before sticking on 'It's go to be-e-e-e-e-e-e-e per...It's got to be-e-e-e-e-e-e-e-e per."
I remember having been to Boots in Bromley of all places (when they used to sell singles & albums) one Saturday morning and on the packed 227 on the way home I was stood by the doors and as they swung open the new album I'd just bought got trapped and shattered. It was as though the whole bus knew exactly what had just happened and I was so embarrassed I got off the next stop and walked the rest of the way home.
So if any of you above need to get rid of any for space etc, then send me an inbox and I might be interested!
Cheers.
Never going to throw them out.
Damn, now look what you lot are making me do!!!!!
Obviously the Beatles Stones whoever who had hit after hit are practically worthless. You'll get the occasional item from the well known groups that will be worth money as you say, uk demo copies will nearly always be worth more than the issue no matter who it is & yes any odddity, mis print on label, even the wrong song playing on either side because of some malfunction at the pressing plant will all add to the value.
If you want to go back to the 60s there were so many records being released in the main it was the tried & trusted bands beatles stones etc who all made the charts whereas there were brilliant records released by lesser knowns that never made it for whatever reason. These are the ones that are worth money.
Totally disagree with" to be valuable, records have to be immaculate - younger collectors will not put up with less than 100%" While we would all like our records to be immaculate often it just isn't possible.
Going back to the Northern soul thing + the 60s so much released & only a certain amount can be hits thing, while you can still get hundreds mint/ex items of the easier to find stuff sometimes if you have been after a rarity for a number of years & one turns up you have a choice, go for that less than immaculate copy (& we're talking 50+ year old 45s) or risk never getting the chance again. For example 2 years ago a copy of Gwen Owens Just say you're wanted & needed Velgo w/d with a totally shagged label & only vg vinyl sold on ebay for $2,827 Most issues (which are rare themselves) are well known to have a fault which results in the record jumping. So do you wait for another demo in immaculate condition & probably pay double that value or jump in & buy for half price a copy that crackles a bit ? Or how about an even rarer item THE TOMANGOE'S I Really Love You WASHPAN which was VG+ & went for $7,078 ? Crazy money but if there's only a few known copies of an item, you really want it & you have the money, then you have to go for it when it's there. A crackle here & there on a 50 year old record is unfortunate but not totally unexpected really. You have to understand in the 60s a lot of local independent record labels were basically one man bands & could only get say 200 copies pressed up (& I know this for a fact) in the hope of getting some airplay & being picked up by a national label for release. Most of course sunk with out trace & over time copies get thrown away, broken etc & mainly forgotten ........... or at least until enterprising DJs / record dealers started going to the States looking for unknowns....but thats another story & like yours my anorak needs a rest
Must be in good condition, especially the sleeves with posters etc.
On the actual vinyl outside the label are numbers and letters, these tell you the pressing and effect the value. This must be quoted.
https://www.youtube.com/channel/UCOi4WBz-LCYJ4dl8dOvqGXg
Still got loads to upload though, barely started.
Just as well I'm going to the dump today where it can join that one of Bowie in a dress and the Beatles in butchers coats. Sick.