Attention: Please take a moment to consider our terms and conditions before posting.

Charlton Banksy, on Westmoor St *very new

24

Comments

  • Placing a prepared Micra and then doing the picture behind cant have been the work of a moment, Im surprised no one saw this.
  • Final one of this set has appeared on a shutter at London zoo: 

    https://www.bbc.co.uk/news/articles/c623qjpgew4o


  • edited August 13
    I hate graffiti. It's the scourge of every town and city in the UK and why people accept it, and even celebrate it, is beyond me.

    At its heart, it's criminal damage. It creates an environment in which low level crime is perceived as being tolerated, and acts as a gateway to higher levels. 

    It looks shit. Why is "Banksy's art" any different from the ineligible scrawls on walls, railway embankments, bridges and buildings that we see everywhere? That shouldn't be tolerated, and neither should "Banksy".

    If you want to produce art, do what thousands of other artists do - produce it and put it in a gallery. 
    For what it's worth, there is a long tradition of fabulous artworks on buildings.

    I know that Northern Ireland has a (well-deserved) reputation for sectarian street art, but there is plenty of other stuff out there in Ireland and elsewhere, that is both artistic and, like Banksy murals, draws in tourists (including Spanish friends who were determined to do a walking tour of Belfast street art as well as the Titanic Museum on a recent visit).

    https://www.creativeireland.gov.ie/en/blog/street-art-2021/
    https://carpediemeire.com/2019/11/14/street-art-of-dublin/
    https://www.ireland.com/magazine/culture/belfasts-street-art/
    https://visitbelfast.com/article/virtual-street-art-tour/
    https://www.bbc.co.uk/news/uk-northern-ireland-67377314 (for those of us who love the Undertones)

    I really like this artist's work: https://thisisfriz.com/

    Admittedly, there's plenty of dross too...

    But I'm really uncertain how many galleries can fit these works.
  • Off_it said:
    I hate graffiti. It's the scourge of every town and city in the UK and why people accept it, and even celebrate it, is beyond me.

    At its heart, it's criminal damage. It creates an environment in which low level crime is perceived as being tolerated, and acts as a gateway to higher levels. 

    It looks shit. Why is "Banksy's art" any different from the ineligible scrawls on walls, railway embankments, bridges and buildings that we see everywhere? That shouldn't be tolerated, and neither should "Banksy".

    If you want to produce art, do what thousands of other artists do - produce it and put it in a gallery. 
    Why? Why does art have to be stuck away in a gallery to get "recognition"? And recognition from who?
    I didn't mention recognition?

    Put it on the walls of restaurants / galleries / shops / pubs / bars / places where it can be viewed and appreciated without resort to criminal damage.

    Put it in places designated for it / put it on your own property.

    Don't scrawl it over other peoples property. If it's legitimate for artists to do it on random walls, then its legitimate for every little scrote with a can of spray paint to put their tags everywhere.
  • Sponsored links:


  • I wonder if it's a case of the Kings new clothes sometimes.

    This is 'must have' stencil art work which people buy primarily to sell at a profit

    The balloon girl was purchased at auction for £1,042,000, moments later it partially shredded, but the buyer decided to keep it anyway.  She re-titled the work as 'Love is in the bin', re-auctioned it and got 18.5 million pounds.

    Robbie Williams is said to be a big fan of Banksy, but despite this he sold two of his pieces for seven million - who wouldn't be a fan at that amount of profit?


  • Final one of this set has appeared on a shutter at London zoo: 

    https://www.bbc.co.uk/news/articles/c623qjpgew4o


    Someone will have that shutter sawed off by the end of the week 
  • BBC showed footage of he Charlton piece being tagged this morning. Bloke in a balaclava strolled up and did it, allowed himself to be filmed. Suspect its all part of the Banksy plan.
  • I wonder if it's a case of the Kings new clothes sometimes.

    This is 'must have' stencil art work which people buy primarily to sell at a profit

    The balloon girl was purchased at auction for £1,042,000, moments later it partially shredded, but the buyer decided to keep it anyway.  She re-titled the work as 'Love is in the bin', re-auctioned it and got 18.5 million pounds.

    Robbie Williams is said to be a big fan of Banksy, but despite this he sold two of his pieces for seven million - who wouldn't be a fan at that amount of profit?


    If you purchased something for 100k and it ended up being worth 5mil, you'd probably sell too... fan or no fan !.

    Infant, if you were smart you'd have sold at peak market for 5 mil and tried to buy it back now during the current financial issues, prices are 1/3 of what they were during covid. 
  • A collective
    At one time, there was one Banksy who had a graffiti career and a famous “beef” in the subculture with London graffiti legend Robbo. That time is gone. Banksy is now a collective of artists who work together to produce thoughtful, provocative and subversive pieces and installations.
  • I hate graffiti. It's the scourge of every town and city in the UK and why people accept it, and even celebrate it, is beyond me.

    At its heart, it's criminal damage. It creates an environment in which low level crime is perceived as being tolerated, and acts as a gateway to higher levels. 

    It looks shit. Why is "Banksy's art" any different from the ineligible scrawls on walls, railway embankments, bridges and buildings that we see everywhere? That shouldn't be tolerated, and neither should "Banksy".

    If you want to produce art, do what thousands of other artists do - produce it and put it in a gallery. 
    I'll just create some art and put it in a gallery.

    Sounds easy enough.
  • Sponsored links:


  • Off_it said:
    I hate graffiti. It's the scourge of every town and city in the UK and why people accept it, and even celebrate it, is beyond me.

    At its heart, it's criminal damage. It creates an environment in which low level crime is perceived as being tolerated, and acts as a gateway to higher levels. 

    It looks shit. Why is "Banksy's art" any different from the ineligible scrawls on walls, railway embankments, bridges and buildings that we see everywhere? That shouldn't be tolerated, and neither should "Banksy".

    If you want to produce art, do what thousands of other artists do - produce it and put it in a gallery. 
    Why? Why does art have to be stuck away in a gallery to get "recognition"? And recognition from who?
    Until it’s on your property or all over your immediate neighbourhood then you might see it differently. 
  • A collective
    At one time, there was one Banksy who had a graffiti career and a famous “beef” in the subculture with London graffiti legend Robbo. That time is gone. Banksy is now a collective of artists who work together to produce thoughtful, provocative and subversive pieces and installations.
    Subversive is a nice word of course but doesn’t mean it isn’t graffiti !


  • Off_it said:
    I hate graffiti. It's the scourge of every town and city in the UK and why people accept it, and even celebrate it, is beyond me.

    At its heart, it's criminal damage. It creates an environment in which low level crime is perceived as being tolerated, and acts as a gateway to higher levels. 

    It looks shit. Why is "Banksy's art" any different from the ineligible scrawls on walls, railway embankments, bridges and buildings that we see everywhere? That shouldn't be tolerated, and neither should "Banksy".

    If you want to produce art, do what thousands of other artists do - produce it and put it in a gallery. 
    Why? Why does art have to be stuck away in a gallery to get "recognition"? And recognition from who?
    Until it’s on your property or all over your immediate neighbourhood then you might see it differently. 
    Off_it said:
    I hate graffiti. It's the scourge of every town and city in the UK and why people accept it, and even celebrate it, is beyond me.

    At its heart, it's criminal damage. It creates an environment in which low level crime is perceived as being tolerated, and acts as a gateway to higher levels. 

    It looks shit. Why is "Banksy's art" any different from the ineligible scrawls on walls, railway embankments, bridges and buildings that we see everywhere? That shouldn't be tolerated, and neither should "Banksy".

    If you want to produce art, do what thousands of other artists do - produce it and put it in a gallery. 
    Why? Why does art have to be stuck away in a gallery to get "recognition"? And recognition from who?
    Until it’s on your property or all over your immediate neighbourhood then you might see it differently. 
    Destroyvalleynick66 said:
    Off_it said:
    I hate graffiti. It's the scourge of every town and city in the UK and why people accept it, and even celebrate it, is beyond me.

    At its heart, it's criminal damage. It creates an environment in which low level crime is perceived as being tolerated, and acts as a gateway to higher levels. 

    It looks shit. Why is "Banksy's art" any different from the ineligible scrawls on walls, railway embankments, bridges and buildings that we see everywhere? That shouldn't be tolerated, and neither should "Banksy".

    If you want to produce art, do what thousands of other artists do - produce it and put it in a gallery. 
    Why? Why does art have to be stuck away in a gallery to get "recognition"? And recognition from who?
    Until it’s on your property or all over your immediate neighbourhood then you might see it differently. 
    Destroying all the great street art in old Kunming made a much more boring place. 
  • edited August 13
    PopIcon said:
    I hate graffiti. It's the scourge of every town and city in the UK and why people accept it, and even celebrate it, is beyond me.

    At its heart, it's criminal damage. It creates an environment in which low level crime is perceived as being tolerated, and acts as a gateway to higher levels. 

    It looks shit. Why is "Banksy's art" any different from the ineligible scrawls on walls, railway embankments, bridges and buildings that we see everywhere? That shouldn't be tolerated, and neither should "Banksy".

    If you want to produce art, do what thousands of other artists do - produce it and put it in a gallery. 
    I'll just create some art and put it in a gallery.

    Sounds easy enough.
    If you are an artist, it is. 

    If you are a bloke on Charlton Life trying to making a point, it probably isn't.
  • Love it.

    If someone called Banksy (who doesn't like to identity himself) can graffiti a wall why can't someone else doodle over it. 

    Banksy mate.....if you want your art to be appreciated then paint it on a canvas & frame it. If not, be prepared for the consequences. 


    It was/is appreciated.
  • shine166 said:
    I wonder if it's a case of the Kings new clothes sometimes.

    This is 'must have' stencil art work which people buy primarily to sell at a profit

    The balloon girl was purchased at auction for £1,042,000, moments later it partially shredded, but the buyer decided to keep it anyway.  She re-titled the work as 'Love is in the bin', re-auctioned it and got 18.5 million pounds.

    Robbie Williams is said to be a big fan of Banksy, but despite this he sold two of his pieces for seven million - who wouldn't be a fan at that amount of profit?


    If you purchased something for 100k and it ended up being worth 5mil, you'd probably sell too... fan or no fan !.

    Infant, if you were smart you'd have sold at peak market for 5 mil and tried to buy it back now during the current financial issues, prices are 1/3 of what they were during covid. 
    I'd agree with you if it were on my account, but people who purport to love the art, then sell to make a profit are most likely in it for the money rather than the art.  I can't believe Robbie Williams had to sell.
  • edited August 13
    shine166 said:
    I wonder if it's a case of the Kings new clothes sometimes.

    This is 'must have' stencil art work which people buy primarily to sell at a profit

    The balloon girl was purchased at auction for £1,042,000, moments later it partially shredded, but the buyer decided to keep it anyway.  She re-titled the work as 'Love is in the bin', re-auctioned it and got 18.5 million pounds.

    Robbie Williams is said to be a big fan of Banksy, but despite this he sold two of his pieces for seven million - who wouldn't be a fan at that amount of profit?


    If you purchased something for 100k and it ended up being worth 5mil, you'd probably sell too... fan or no fan !.

    Infant, if you were smart you'd have sold at peak market for 5 mil and tried to buy it back now during the current financial issues, prices are 1/3 of what they were during covid. 
    I'd agree with you if it were on my account, but people who purport to love the art, then sell to make a profit are most likely in it for the money rather than the art.  I can't believe Robbie Williams had to sell.
    The thing is, if nobody never sold a Bansky, he wouldn't have got to this level of fame. That goes way back from the £200 print days, to media reports when a canvas sells for 10mil
  • To be fair, drawings on a wall is the oldest form of art. 
  • Final one of this set has appeared on a shutter at London zoo: 

    https://www.bbc.co.uk/news/articles/c623qjpgew4o


    Someone will have that shutter sawed off by the end of the week 
    Then get a shock as a pride of lions walk out.
    Bloody woke felines....

    Or something.
Sign In or Register to comment.

Roland Out Forever!