Off to see the return to the stage after some six years of Cate Blanchett at the Barbican in another Checkov, The Seagull, on March 13th. Only need to see an Uncle Vanya by mid November to have seen the four full length classics within a year.
We went to see Churchill in Moscow this week at the Orange Tree in Richmond and thought it was extremely good. Roger Allam played Churchill with his usual aplomb. The play dramatises the actual August 1942 top-secret between Churchill and Stalin at a time when each of them feared defeat to Hitler. Unsurprisingly, the respective diplomats struggled to control the alcohol-fuelled discussions between the two unpredictable leaders.
It is the Orange Tree's fastest ever selling play and the sold out run ends next month. Although there have been no indications thus far, I imagine that it will transfer to the National or West End at some stage, given the likely level of demand for tickets.
Off to Three Sisters this afternoon. Sam Wanamaker at the Globe, new theatre for me.
Been ourselves now. Thoughts?
I liked it enormously. There was a classic Chekovian feel to it all with the set, props and costumes, and the Theatre suited the intimacy of the production where the candlelight enhanced rather than distracted. As usual the play was a company piece and there was no star vehicle nor weak performances on show, but an effort to present the work as true to itself. The only acting choices I would have disputed was the approach with Solyony who was verging on a maniacal type. I have seen the play a lot, including at the Greenwich Theatre with a stunning performance by Joanne (Singing Detective, and recently Wolf Hall) as Masha, and in the West End with a fantastic Vanessa Redgrave as Olga, both memorable. So it was rather a classic Checkov, in a classic production that suited me fine annd was well received, and I would give it an 8 on the Setheatreometer. I hope you liked it H.
Completely agree re theatre, the atmosphere and the acting. Felt the first half dragged a bit but the second was enthralling. I’m probably more a 6.5/7 - enjoyed it.
Went to see Oedipus starring Remi Malek and Indira Varma, there was some interesting dancing and atmospheric lighting and it started well before I got bored and fell asleep for a bit. Saw Richard II last week at The Bridge Theatre with Johnathon Bailey who was very good and it was all fairly enjoyable, although I may have drifted off slightly in the first half
Just seen Much Ado About Nothing with Tom Hiddlestone and Hayley Atwell. Not sure ive ever seen this play staved before, really enjoyed it and impressed with the delivery, staging and cast.
Last night we went to the Barbican to see The Seagull by Anton Chekhov. It was announced as Cate Blanchett’s return to the stage after six years, and I got our tickets last November so my anticipation has been high as I love Chekhov, rate Blanchett and scored my tickets early for a sold out show. Then the cast was filled out with some very notable actors such as the angrier Malcolm Tucker from the Thick of It Paul Higgins and the sublime Jason Watkins, Tom Burke from Strife and the Three Musketeers. Blanchett clearly stood out, she can act, she can do much more than being a take and re-take performer from the Television and Film stuff, and all the cast can act. It was a modern day take. My problem was with the translation, loads of swearing and references to Zelensky and Circe du Soliel and stuff, the design, indulgent extra bits like a golf cart and electric guitar playing and singing Billy Bragg stuff, and very poor ‘that’ll do’ directing. It was as if whoever decided on the production thought ‘we’ve got Blanchett, that should be enough’ which indeed it will be as the whole thing is sold out. Some parts, especially the end of both halves dragged on and on, and the actors voices (with one or two exceptions) were not good enough. Not Blanchett I would add. Chekhov wrote four full length masterpieces starting with The Seagull, which was a game changer and brought us modern drama and acting in all spheres, but it was a prelude to his three later plays, all great, Uncle Vanya, Three Sisters and best of all The Cherry Orchard. People play around with Chekhov, often well like the Cherry Orchard at the Donmar recently, but you have to get it right. I recently saw (as has @Weegie Addick of this parish) a classic ensemble Three Sisters at the Sam Wannamaker theatre which was a whole lot better than the Blanchett vehicle of last night. It is only because of Blanchett that I would give the Seagull at the Barbican a mark as high as a 6 on the Setheatreometer.
saw The Devil Wears Prada last Saturday, had never seen the film and the show was OK, but wouldn’t see again. 5/10
Then saw Hamilton on Wednesday evening (3rd time 2x London + 1xBroadway) and have to say that it has lost a bit of its shine. I think the show needs a bit of a ‘name’ for a spell. Just felt a bit flatter than the first two times I saw it - or maybe it was a one too many times watch!?! 6/10
At the weekend we went to see The Last laugh at Noel Coward theatre. Just 3 characters, Tommy Copper, Eric Morecambe and Bob Monkhouse. Its had some mixed reviews but I thought it worth the ticket money. Some very funny moments as well some quite sad ones.
I know it's early but this year's Palladium panto has just been announced as Sleeping Beauty. Catherine Tate leading the cast as the Villain with Jon Culshaw and Julian Clary
At the weekend we went to see The Last laugh at Noel Coward theatre. Just 3 characters, Tommy Copper, Eric Morecambe and Bob Monkhouse. Its had some mixed reviews but I thought it worth the ticket money. Some very funny moments as well some quite sad ones.
I went on Friday and laughed solid for the entire 80 minutes. All tickets reduced to £15 now as it ends this weekend so I'm going back to see it again on Thursday; £15 in a £100 seat. Highly recommend it if you like nostalgia and remember Eric, Bob and Tommy.
Comments
It is the Orange Tree's fastest ever selling play and the sold out run ends next month. Although there have been no indications thus far, I imagine that it will transfer to the National or West End at some stage, given the likely level of demand for tickets.
Saw Richard II last week at The Bridge Theatre with Johnathon Bailey who was very good and it was all fairly enjoyable, although I may have drifted off slightly in the first half
It was announced as Cate Blanchett’s return to the stage after six years, and I got our tickets last November so my anticipation has been high as I love Chekhov, rate Blanchett and scored my tickets early for a sold out show.
Then the cast was filled out with some very notable actors such as the angrier Malcolm Tucker from the Thick of It Paul Higgins and the sublime Jason Watkins, Tom Burke from Strife and the Three Musketeers.
Blanchett clearly stood out, she can act, she can do much more than being a take and re-take performer from the Television and Film stuff, and all the cast can act.
It was a modern day take.
My problem was with the translation, loads of swearing and references to Zelensky and Circe du Soliel and stuff, the design, indulgent extra bits like a golf cart and electric guitar playing and singing Billy Bragg stuff, and very poor ‘that’ll do’ directing.
It was as if whoever decided on the production thought ‘we’ve got Blanchett, that should be enough’ which indeed it will be as the whole thing is sold out.
Some parts, especially the end of both halves dragged on and on, and the actors voices (with one or two exceptions) were not good enough. Not Blanchett I would add.
Chekhov wrote four full length masterpieces starting with The Seagull, which was a game changer and brought us modern drama and acting in all spheres, but it was a prelude to his three later plays, all great, Uncle Vanya, Three Sisters and best of all The Cherry Orchard. People play around with Chekhov, often well like the Cherry Orchard at the Donmar recently, but you have to get it right.
I recently saw (as has @Weegie Addick of this parish) a classic ensemble Three Sisters at the Sam Wannamaker theatre which was a whole lot better than the Blanchett vehicle of last night. It is only because of Blanchett that I would give the Seagull at the Barbican a mark as high as a 6 on the Setheatreometer.
Then saw Hamilton on Wednesday evening (3rd time 2x London + 1xBroadway) and have to say that it has lost a bit of its shine. I think the show needs a bit of a ‘name’ for a spell. Just felt a bit flatter than the first two times I saw it - or maybe it was a one too many times watch!?! 6/10