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  • edited February 2019
    supaclive said:

    Watched the official trailer for Rocketman this week and other promos/makings of.

    Taran Egerton looks nailed on for awards' nominations already.

    This seems have been forever in the making . I remember seeing stills from it ages ago . Let’s hope it’s as good fun as Bohemian Rhapsody ( editing aside ) . 
  • edited February 2019
    Here’s the Malek Live Aid in split screen with the real thing. Amazing how accurate it is. 

    https://youtu.be/8z6wJHPhJUM
  • JiMMy 85 said:
    Here’s the Malek Live Aid in split screen with the real thing. Amazing how accurate it is. 

    https://youtu.be/8z6wJHPhJUM
    Well, I guess they had to get at least one thing accurate in that film!
  • If Beale Street Could Talk.

    Awful film, storyline is ok as is the setting 1970’s Harlem but unbelievably slow, didn’t think the acting was very good either.

    Painful!
    Going to see it this week - had high hopes.
    IMO you can keep them relatively high, wasn't quite as impactful as Moonlight, but I thought it was very good.
    Saw If Beale Street could talk last night - some bits of the film are excellent and the acting was oustanding. Visually it's stunning but the narrative for me was a little disjointed. Not as impactful as you say as Moonlight. 8/10
  • supaclive said:

    Watched the official trailer for Rocketman this week and other promos/makings of.

    Taran Egerton looks nailed on for awards' nominations already.

    I just watched the trailer and it's awoken an interest in seeing the film so as trailers go it's a good one.
  • If Beale Street Could Talk.

    Awful film, storyline is ok as is the setting 1970’s Harlem but unbelievably slow, didn’t think the acting was very good either.

    Painful!
    Going to see it this week - had high hopes.
    IMO you can keep them relatively high, wasn't quite as impactful as Moonlight, but I thought it was very good.
    Saw If Beale Street could talk last night - some bits of the film are excellent and the acting was oustanding. Visually it's stunning but the narrative for me was a little disjointed. Not as impactful as you say as Moonlight. 8/10
    I agree too. Liked it, but thought it could have been trimmed by 20 minutes. It felt long.
  • Saw " Can you ever believe me" yesterday. A really interesting and at times very funny film with excellent performances from Melissa McCarthy & Richard E Grant in the lead roles. 
  • Meant Can you ever forgive me.
  • philcafc said:
    Meant Can you ever forgive me.
    You know you can edit posts using the little cog in the top right hand corner of your post?
  • Went to see Alita: Battle Angel. Usually not my type of film but I really enjoyed it. The visual effects are great and the film is fast-paced. Very exciting. Some say the storyline is weak but I liked it. Overall it surpassed my expectations. 8.5/10
    Interesting to hear how Alita is viewed in China.  I think they're pinning quite a bit on the Chinese market to put the film in profit so that they can make a sequel.  It seems to be doing quite well, even when it has to compete with Wandering Earth.
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  • edited February 2019
    Stupid Academy Awards are tonight. The only thing I really care about is that I hope “Free Solo” beats the fawning, uncritical “RBG” for best documentary. Free Solo was the most riveting thing I saw on the big screen in 2019.
  • edited February 2019
    Stupid Academy Awards are tonight. The only thing I really care about is that I hope “Free Solo” beats the fawning, uncritical “RBG” for best documentary. Free Solo was the most riveting thing I saw on the big screen in 2019.
    RBG for me. Planning to go see “On the Basis of Sex” on Tuesday. Looking forward to learning more about this amazing women 😁
  • Stupid Academy Awards are tonight. The only thing I really care about is that I hope “Free Solo” beats the fawning, uncritical “RBG” for best documentary. Free Solo was the most riveting thing I saw on the big screen in 2019.
    This is on National Geographic channel on 3rd March. Been hoping to watch it for ages
  • Stupid Academy Awards are tonight. The only thing I really care about is that I hope “Free Solo” beats the fawning, uncritical “RBG” for best documentary. Free Solo was the most riveting thing I saw on the big screen in 2019.
    Free Solo is a brilliant documentary . A film more about selfishness than rock climbing . You can't help think Alex Honnold won't be with us for very much longer.
  • Free Solo won. Excellent!!!
  • Caught Green Book yesterday. On my own, as the rest of the family opted to see Bohemian Rhapsody for the third time. I loved Green Book. It had me in stitches at times, was serious and painfull at others, the actors were captivating. I'd have gone with my younger daughter, but the certificate was 13+, and she's nine. There was nothing in this to really make that age limit relevant for me, and I think she'd have enjoyed it. Ah well, it'll turn up on cable soon enough.  But this was a rivetingly good film, and after a run of very poor cinema, it was nice to come out feeling as if it was money well spent.
  • Can You Ever Forgive Me?

    Saw this last night, again in the clevedon curzon. Found the story thin, and though Melissa McCarthy is good I found Richard E Grant a bit irritating, playing his usual sort of character, this time a flamboyant gay Englishman in New York. 

    Three of us went, nobody scored it above 5.5.

  • IdleHans said:

    Can You Ever Forgive Me?

    Saw this last night, again in the clevedon curzon. Found the story thin, and though Melissa McCarthy is good I found Richard E Grant a bit irritating, playing his usual sort of character, this time a flamboyant gay Englishman in New York. 

    Three of us went, nobody scored it above 5.5.

    If one of those was @jimmy85, was that 5.5 out of 2?
  • IdleHans said:

    Can You Ever Forgive Me?

    Saw this last night, again in the clevedon curzon. Found the story thin, and though Melissa McCarthy is good I found Richard E Grant a bit irritating, playing his usual sort of character, this time a flamboyant gay Englishman in New York. 

    Three of us went, nobody scored it above 5.5.

    I really enjoyed the film when I saw it and thought both main actors were excellent. The plot for me was interesting.
  • Finally got to see Green Book a couple of days ago. Great film and worthy of an Oscar. Brilliant chemistry between the two main actors. Reminded me of the natural chemistry between the wealthy French paraplegic and his black carer in the film The Intouchables. 
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  • Watched Maze the other night. 
    Inspired by the true events of the infamous 1983 prison breakout of 38 IRA prisoners from HMP, which was to become the biggest prison escape in Europe since World War II.
    Really enjoyed it, bloody worrying how amateurish the Garda where at looking after the prisoners.
    The 'troubles' have always interested me, 7/10
  • If anyone wants to know why Spike Lee walked away in disgust when Green Book won the Oscar, I would suggest listening to the New York Times Daily Podcast from earlier this week. 

    It's available here. 

    I haven't seen Green Book yet so it's hard to comment, but I understand Lee's perspective now. I'm often not a fan of his style but him not getting any Oscar recognition for so long, and losing out to Driving Miss Daisy and Green Book when he IS nominated, is crazy. 

    The crux of the podcast above is that Green Book, like The Help, Miss Daisy and many others, features horrible white people learning the errors of their ways while black characters only exist to help the white people achieve that. 

    That's a pretty boiled-down explanation from me, the podcast explains it much better than I can. When I consider the complex relationships between the black and white characters in BlacKKKlansman, I find it hard not to side with him. 

    And kudos to Kim Basinger for calling the Academy out on it while presenting best picture in 1990. I didn't know about that, and it's a fucking amazing thing for her to have done. 


  • JiMMy 85 said:
    If anyone wants to know why Spike Lee walked away in disgust when Green Book won the Oscar, I would suggest listening to the New York Times Daily Podcast from earlier this week. 

    It's available here. 

    I haven't seen Green Book yet so it's hard to comment, but I understand Lee's perspective now. I'm often not a fan of his style but him not getting any Oscar recognition for so long, and losing out to Driving Miss Daisy and Green Book when he IS nominated, is crazy. 

    The crux of the podcast above is that Green Book, like The Help, Miss Daisy and many others, features horrible white people learning the errors of their ways while black characters only exist to help the white people achieve that. 

    That's a pretty boiled-down explanation from me, the podcast explains it much better than I can. When I consider the complex relationships between the black and white characters in BlacKKKlansman, I find it hard not to side with him. 

    And kudos to Kim Basinger for calling the Academy out on it while presenting best picture in 1990. I didn't know about that, and it's a fucking amazing thing for her to have done. 


    I'd like Spike Lee a lot more if he got rid of that massive chip on his shoulder. He's made some piss poor films in the past 20 years and that's the reason he hasn't won . 

    To compare Green Book with Driving Miss Daisy is ridiculous. Green book is a great film and worthy of winning best picture. If he's actually saying it's about horrible white people learning the error of there ways while black characters on exists to help white people achieve that then 1. He hasn't seen Green book and 2.  We might as well dismiss great films Like The Green Mile and American History X . 

    Sorry ,  but the man is Pillock at times and should concentrate on making better movies instead of digging out other film makers  . BlacKkKlansman '  whilst being a pretty good film , didn't deserve best picture because it wasn't good enough.   Green Book was .  Try to get to see it Jimmy . I think you'll like it a lot. 
    I think Green Book is a good film as was BlackkKlansman - the level of criticism it's taken is OTT and it certainly depicts the racism of the time without a heavy handed 'white saviour' theme. It works as a piece of entertainment and has a strong narrative.


  • Capernaum

    Saw a preview of this yesterday (think it is released on Friday) and really hope it can somehow beat Roma to the best foreign language film at the Oscars.

    A tough watch - and will have limited box office appeal - but all the more thought-provoking for the fact that a lot of the actors are apparently not professionals and their lives were similar to those of their characters.
    Just seen this - utterly amazing film and pretty overwhelming to watch. The acting was outstanding and visually it was stunning. It really tells a difficult story of the underclass in the Lebanon.  9.5/10
  • JiMMy 85 said:
    If anyone wants to know why Spike Lee walked away in disgust when Green Book won the Oscar, I would suggest listening to the New York Times Daily Podcast from earlier this week. 

    It's available here. 

    I haven't seen Green Book yet so it's hard to comment, but I understand Lee's perspective now. I'm often not a fan of his style but him not getting any Oscar recognition for so long, and losing out to Driving Miss Daisy and Green Book when he IS nominated, is crazy. 

    The crux of the podcast above is that Green Book, like The Help, Miss Daisy and many others, features horrible white people learning the errors of their ways while black characters only exist to help the white people achieve that. 

    That's a pretty boiled-down explanation from me, the podcast explains it much better than I can. When I consider the complex relationships between the black and white characters in BlacKKKlansman, I find it hard not to side with him. 

    And kudos to Kim Basinger for calling the Academy out on it while presenting best picture in 1990. I didn't know about that, and it's a fucking amazing thing for her to have done. 


    I'd like Spike Lee a lot more if he got rid of that massive chip on his shoulder. He's made some piss poor films in the past 20 years and that's the reason he hasn't won . 

    To compare Green Book with Driving Miss Daisy is ridiculous. Green book is a great film and worthy of winning best picture. If he's actually saying it's about horrible white people learning the error of there ways while black characters on exists to help white people achieve that then 1. He hasn't seen Green book and 2.  We might as well dismiss great films Like The Green Mile and American History X . 

    Sorry ,  but the man is Pillock at times and should concentrate on making better movies instead of digging out other film makers  . BlacKkKlansman '  whilst being a pretty good film , didn't deserve best picture because it wasn't good enough.   Green Book was .  Try to get to see it Jimmy . I think you'll like it a lot. 
    Might just get to see Klansman today. Loved Green Book, and I understand the criticism that it focuses on the white man’s perspective. But isn’t that because it’s based on a book about the white man in question, written by the white man’s son? 

  • Here's a thing.

    I was planning to go see Fighting with My Family next Friday.  Trouble was all I could find was screenings for Captain Marvel.  So I looked for showings at other cinemas for the weekend or the following week and all I can find is Captain Marvel.  So I think WTF and start to dig a bit deeper and it looks like for the entire week, Captain Marvel is showing on practically every cinema screen in the UK, excluding every other film out at the moment.  And not just the UK, it's the same across the USA, Canada and Australia too.  Pretty much every screen at every cinema in the English speaking world, nothing but Captain Marvel for a week!  

    I've never seen anything like this before.  Is it even legal?!    
  • This. "Apollo 11." Documentary.

    100% Tomatometer. Universally considered amazing. Newly found 70mm footage restored. This brings out my inner geek. Comes out today.

    Trailer

  • This. "Apollo 11." Documentary.

    100% Tomatometer. Universally considered amazing. Newly found 70mm footage restored. This brings out my inner geek. Comes out today.

    Trailer

    @napa@NapaAddick See my review from Sundance.  I already have my bet on it winning best doc.  It's visually STUNNING!
  • edited March 2019
    Just seen Bkack Klansman.  So different from Green Book, I’m not sure I can compare them. But...
    I think on technical merit I’d give it to GB, but as a film that gets a message across, its BK. 
    Both stand up as great movies in their own way I reckon.
    I’d say Klansman maybe lacks the polish to win the best picture Oscar. Very good movie though. 
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